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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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DIARIES: WHISTLING WOODS INTERNATIONAL

There’s so much going on at Whistling Woods International that it’s hard to keep track, but we’re trying our best to tell you...

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The Caravans Of Movement

Humra Quraishi writes, “The World Refugee day, on the 20th of June, is not too far away. It’s time for ...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

The Soul Of Hindustan

Today Humra Quraishi brings alive the beauty of great urdu poetry translated by Sanjiv Saraf and flows to the soulful strains ...

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NO LIMITS

Khalid Mohamed time-travels back to an interview with the ace actor Kamal Haasan on what he knows… and does best in sou...

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Tum kya History Parathe ho?

Humra Quraishi writes: Words like riots and rioting hit you hard, because they announce another round of destruction of human ...

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BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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