MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

UNCERTAIN TIMES AHEAD

Humra Quraishi has a view on the uncertainties that loom large upon the masses, as the government of the day remains more focu...

BE FLUID, BE YOU! KASHISH 2023

Call for submissions to Wendell Rodricks International Poster Design Contest 2023 Open: #TheDailyEyeNewsdesk

Read More

CAN SRK RETURN AS KING KHAN WITH PATHAN?

Monojit Lahiri investigates if in this era of the ‘larger-than-life’, SRK is perceived as a yesterday’s star...

“ME & HOUSE WORK? ARE YOU NUTS ???”

Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera B...

WE THE PEOPLE!

Humra Quraishi questions the whereabouts of missing children on Human Rights Day, and addresses what meaningless entertai...

URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...