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DID PATHAN’S MONSTER SUCCESS DILUTE THE ‘CONTENT IS KING’ MANTRA?

Monojit Lahiri investigates the on-going discussion about what is ‘king’ – the content or the star, by takin...

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PREJUDICE, DISCRIMINATION, HATE, ELECTIONS, VOTES…

I cannot dare describe the poisonous propaganda unleashed by the Hindutva lobbies, the myths, misconceptions and twisted lies that are in circu...

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UPES RELEASES A SOULFUL MUSIC VIDEO TO CELEBRATE INDIA

UPES and Silvercord Films unveil exclusive music video 'India Leads the World’ to celebrate the new India on World Music Day, reports the...

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FILMS WITH TRANSGENDER FOCUS WIN BIG AT KASHISH 2023

Filmmakers from the LGBTQ+ community, specially the Trans* community, feature in awardee list of the 14th edition of KASHISH Mumbai Internation...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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A MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED

Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...

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WILL WE TRUST EACH OTHER AFTER THE WAR?

This week Humra  Quraishi looks back at her conversations with well-known sociologist Professor Imtiaz Ahmad, who passed ...

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JACKIE SHROFF PERFORMS ASHTANGA YOGA AT WWI

With the goal of promoting the importance of yoga in the overall development of students, staff and faculty, Whistling Woods International orga...

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AGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD

While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...

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THE MAGIC OF CHALTI KA NAAM HAI GAADI

Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...

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