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Trending

TRENDING: KUCH SAPNEY APNE FORGES A RAINBOW TRAIL

This first-ever sequel to an Indian LGBTQ+ film marks a milestone for queer cinema, proving that independent filmmakers can break barriers, ach...

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Retroscope

RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN

Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...

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Trending

TRENDING: A ‘NORMAL’ LOVE STORY, SAYS SRIDHAR RANGAYAN

Kuch Sapney Apne, releasing in theatres on 21st February, redefines love with its heartfelt queer romance, proving...

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Kaleidoscope

KALEIDOSCOPE: TALKING PROCESS WITH HARINI SRINIVASAN

Harini Srinivasan, author of Lovestruck and Confused, discusses toggling between historical mysteries and contemporar...

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Thought Factory

THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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Business and Politics

POLITICS: PADMA SHRI, AN ARTIST AND A “SADHVI”

In this poignant reflection, the author, Sharad Raj, contrasts the recognition of iconic artist Prof. Ranbir Singh Bisht with ...

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Kaleidoscope

KALEIDOSCOPE: BEHIND THE REEL WITH PUNEET SIKKA

Puneet Sikka dives into her debut novel Take No. 2020, a slice-of-life exploration of the Hindi film industry's trials, humour, and hi...

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Kaleidoscope

KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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Bollywood

POWERFUL PEOPLE: ART, LEGACY, AND INFINITE EXPRESSION

Gopika Dahanukar carries forward her mother Prafulla Dahanukar's artistic legacy, blending tradition and innovation through music, visual art, ...

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