On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

The Soap Opera

Film historian, Dhruv Somani, tracks the Bollywood stars who have endorsed the iconic Lux toilet soap over the decad...

HIDAYAT SAMI: Spotlighted!

It’s Hidayat Sami who Aparajita Krishna meets today to explore his vast repertoire as an actor, director, light-designer...

SALUTING THE MEMORY OF THE EVERGREEN AWARA

Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor.

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Walk in, walk out

Film historian Dhruv Somani, writes on Bollywood’s ceaseless dilemma of wasteful changes in the cast of actors because o...

The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

Finding Ganga

Film historian Dhruv Somani, recounts the arduous process that was involved in the casting of Mandakini in Raj Kapoor’s ...