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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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THOUGHT FACTORY: STORIES THAT SHAPE OUR WORLD

From intimate documentaries to visionary fiction, the WIFF 2025 Jury—comprising acclaimed filmmakers, writers, and storytellers—hon...

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RETROSCOPE: MAN WITH THE GOLDEN GUITAR

Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...

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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI

Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion): A formula-driven rom-com that leans on wedding cha...

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RETROSCOPE: VILLAIN WITH GOLDEN HEART

Pran Krishan Sikand, the unforgettable screen villain, was in real life a warm and generous neighbour. Monojit Lahiri recalls ...

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THOUGHT FACTORY: WHO DESERVES REAL RECOGNITION?

Monojit Lahiri examines the stark contrast between stardom’s glamour and the selfless pursuit of empowerment, questionin...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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THOUGHT FACTORY: ONCE UPON A TIMELESS TALE

Fifty years after its release, Sholay continues to resonate across generations. A timeless saga of friendship, vengeance, and morality...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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FESTIVALS: CELEBRATING HERITAGE, STORYTELLING, CULTURE

From Mumbai’s vibrant ode to India’s weaving legacy on National Handloom Day to Bengaluru’s Oscar-accredited short film showc...

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