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Search ResultTRENDING: MASCULINITY AND MANIPULATIONS DOMINATE
Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...
Read MoreWHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES
Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...
Read MoreOM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS
During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...
Read MoreJAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED
“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...
Read MoreTHE MAGIC OF CHALTI KA NAAM HAI GAADI
Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...
Read MoreTHE FANTASTIC 27 DOWN BY AWTAR KRISHNA KAUL
27 Down is a 1974 Hindi film written, directed and produced by Awtar Krishna Kaul starring Rakhee, MK Raina, Om Shivpuri and Rekha Sabnis, writ...
Read MoreNOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES
Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...
Read MoreANJUM RIZVI: FROM BEHIND THE SCENES!
Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...
Read MoreFASHION ‘DRISHYAM’ of HINDI FILMS 1970s!
Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...
Read MoreOn Watching Ponniyin Selvan
Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...
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