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Signs of the times: Anthems of Resistance

Humra Quraishi questions the idea of human rights in times when basic things like food securit...

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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WELCOME TO THE OTHER SIDE

“One can keep wondering about the why’s and the wherefores, but eventually it all boils down to the simple fact that we are not as ...

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The Staging of DEEWAR in India 2018

Prithvi Theatre opened to the public on a day in 1978, forty years ago. It is today an address that apart from being ...

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Women and Minorities continue to be victims of Pay Disparity in the Newsroom

Each year, women comprise more than two-thirds of graduates with degrees in journalism or mass communications, and yet the media industry is ju...

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Kerala Floods: Shame how we Indians politicised a National Calamity and Tragedy

As weeks of wild weather smashed into the north-western Australian coast in February 2018, and record summer ra...

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