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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?
Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...
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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES
Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...
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DILIP KUMAR AT 101
Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...
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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI
In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...
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UNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA
Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...
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BOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE
Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...
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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS
During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...
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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
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THE EMOTION DRIVING MODERN INDIA TODAY: MAHATMA GANDHI
On the Mahatma’s 154th birth anniversary, Humra Quraishi brings snatches of conversations she’s h...
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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION
O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...
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