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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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KALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS

Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...

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BOLLYWOOD: FEAR AND A MOTHER'S RAGE ONSCREEN

Kajol leads a chilling tale of myth and motherhood in Maa, a supernatural thriller where folklore, family, and fear collide—yet ...

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FESTIVALS: CHESS MOVES AND SILENT TRUTHS

Amidst monsoon whispers over Versova, WIFF’s June showcase spotlighted brave short films—The Pawn of Marottichal a...

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GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More

GENDER: DAWN AT DUSK – THE NEW CINEMATIC PHENOMENON

Monojit Lahiri focuses on an unusual phenomenon gracing the Bengali screen in recent times – a celebration of older wome...

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FESTIVALS: WIFF’S THIRD EVENT UNPACKS ART AND IDENTITY

A resonant celebration of regional cinema and independent voices, WIFF’s May event brought powerful films, urgent conversations, and thou...

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