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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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FESTIVALS: KASHISH CHALCHITRA UTSAV CELEBRATES PRIDE MONTH

Chalchitra Utsav is being held in the city to celebrate pride month. It’s a 2-day Indian language LGBTQ+ film festival on January 27th &a...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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FAR FROM HONEST, SAY VOTERS - DEMAND TRANSPARENCY

Humra  Quraishi comments on the dissatisfaction of Indian voters with EVMs and explains how transparency can be achieved ...

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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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ENCHANTING WINTER DESTINATIONS IN INDIA

As the chill of winter sets in, India unfurls its magic with a plethora of destinations that transform into enchanting wonderlands during the f...

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BOLLYWOOD TIK-TALK: THE BEST ACTORS ON THE SCENE!

Today, The Daily Eye #Newsdesk tells you all about the film Pippa and what’s going on in the lives of Ishaan Khattar, Mr...

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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...

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