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RETROSCOPE: WHEN MELODY WAS KING

His lovingly built bungalow, Ashiana, on the Bandra seafront has survived the encroachments of real-estate sharks of sky-high towers. And despi...

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THOUGHT FACTORY: THE MAN WHO LISTENS TO DOGS

Through the intertwined lives of Sugar, Peppy, and Missy, Ramesh Narayan discovers not just unconditional love—but a purpose: to honour t...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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THOUGHT FACTORY: STILL TELLING STORIES, STILL SHUT OUT

While women actors over 40 are reclaiming space on screen, the Indian film industry continues to marginalize women creators—writers, dire...

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RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

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FESTIVALS: CHESS MOVES AND SILENT TRUTHS

Amidst monsoon whispers over Versova, WIFF’s June showcase spotlighted brave short films—The Pawn of Marottichal a...

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THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

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POWERFUL PEOPLE: NEXT ACT, DEFYING PATRIARCHY

Khalid Mohamed interviews actor and former supermodel Dipannita Sharma on toxic Bollywood dynamics, gender politics, and her p...

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RETROSCOPE: HIS ENDURING LEGACY IN BENGALI CINEMA

Celebrating the quiet brilliance of Anup Kumar—Bengali cinema’s everyman—on his birth anniversary. A master of nuance, humour...

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KALEIDOSCOPE: BRIDGES BUILT THROUGH LITERARY DIALOGUE

The Khushwant Singh Literary Festival debuts in Oxford, uniting voices from India and the UK in a celebration of literature, heritage, ecology,...

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