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TRENDING IN BOLLYWOOD

The Daily Eye Newsdesk reports on The Mentoring Program (TMP), designed for actors by the founder, actor, writer and director,...

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UNCERTAIN TIMES AHEAD

Humra Quraishi has a view on the uncertainties that loom large upon the masses, as the government of the day remains more focu...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Hope and Glory

Film historian Dhruv Somani narrates the long and fulfilling journey of Asha Parekh, also known as The Hit Girl who has just b...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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Curious Case of Libaas

Film historian Dhruv Somani writes on the 1982 film of Gulzar, Libaas, with an outstanding music score by R.D.Burman, which ha...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More