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FESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!

Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...

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BOLLYWOOD: FLASHBACKING WITH CHAUDVIN KA CHAND!!

Around two decades ago, Monojit Lahiri met the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand...

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BOLLYWOOD: MANOJ BAJPAYEE’S BATTLE WITH BOLLYWOOD

"Directors can't think of me in rich guy roles," says Manoj Bajpayee. Monojit Lahri examines the implications of this statemen...

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GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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HOLLYWOOD: CHARTING NEW WATERS, MISSING THE MAGIC

A visually stunning yet emotionally lukewarm sequel, Moana 2 brings fresh adventures and characters but struggles to recapture the heartwarming...

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BOLLYWOOD: BOLLYWOODS SHAKY AFFAIR WITH THE KISS?

The evolution of kissing in culture and Bollywood, cinematic awkwardness, and the challenges of capturing authentic intimacy. Monojit L...

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GENDER: A VOICE OF DEFIANCE AND REFLECTION

A bold poetic manifesto of defiance, Urban Naxal Biwi captures the anguish of modern India and challenges gender norms through Pratibh...

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BOLLYWOOD: SHAH RUKH KHAN’S STORYTELLING DILEMMA

Exploring Shah Rukh Khan's film trajectory, from his anti-hero edge to pandering to the male gaze, questioning the ethical lines blurred in Bol...

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GENDER: CAN WOMEN BE ‘EFFECTIVE’ LEADERS?

Monojit Lahiri revisits the rhetorical question and jumps across to a few women for their responses on why hasn’t the eq...

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TRENDING: GAJRA KOTTARY’S STORYTELLING JOURNEY

Gajra Kottary, screenwriter and author, balances the demands of Indian television with profound novels and short stories, challenging social no...

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