The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

The Scattered Rainbow

Darshan Mondkar has been a social and political commentator since 2010, writes Vinta Nanda in this piece compiled by her. &nbs...

Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

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Kashish 2020 goes Virtual

First major film festival in India to go online completely with a full-festival lineup of new LGBTQIA+ films from across the world

Considering that the city, the na...

Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

Hollywood icon: The Rock

Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggl...