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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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BOLLYWOOD LEGACY THROUGH PHOTOGRAPHS

The exhibition that opened on 1st May 2026 at the National Gallery of Modern Art [NGMA] is ‘not-to-be-missed’ as it celebrates Boll...

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INDIA’S AD WOMEN EVOLVE

The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...

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BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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KASHISH 2026 PRIDE VENUES ANNOUNCED

South Asia’s biggest LGBTQIA+ film festival KASHISH Pride Film Festival to be held June 3-7, 2026 at Liberty Cinema, All...

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STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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PRATIBIMBA: MARATHI THEATRE’S SPIRIT

As the fifth edition of Pratibimba Marathi Natya Utsav concluded at the NCPA, Prof Dr Avinash Kolhe reflects on four days of p...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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ESCAPING INTO REALITY: KETAKI SHETH

Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...

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BOMBAY STORIES AND CITY SPIRIT

A rich literary exploration of Bombay through contemporary voices, capturing its contradictions, dreams, anonymity, and emotional landscapes, t...

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