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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

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THE RECIPE FOR GOOD ROMANTIC COMEDY

The Ex Factor author Harini Srinivasan unpacks her views on the recipe for a good romantic comedy, the evolution of the genre over the yea...

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EARTH WOMEN

On World Earth Day that just went by, The Daily Eye Newsdesk visits five women entrepreneurs shaping a sustainable future

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!

Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...

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IS THE SLOGAN DYING?

Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future.

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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