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HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?

The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...

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A DARK AND SHINY PLACE: EXPLORING GRIEF

Vinta Nanda talks to media professional and curator of entertainment content Pragati Deshmukh as she sets out to release her d...

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MADHURI DIXIT STARRER MAJA MA AT KASHISH 2023

The film Maja Ma will screen on Friday June 9th at 7:45 pm at Liberty Cinema with the cast and crew present for a Q&A, reports The ...

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WHO KILLED MOHAMMAD IQBAL?

Humra  Quraishi laments the blatant targeting of everything termed un-Hindu by the present government and the systematic ...

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KASHISH 2023 TO OPEN WITH ONIR’S PINE CONE

South Asia's biggest LGBTQ+ Film Festival to close with Canadian film When Time Got Louder, reports The Daily Eye Newsdesk

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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ANJUM RIZVI: FROM BEHIND THE SCENES!

Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...

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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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