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FESTIVALS: PRAFULLA DAHANUKAR’S ARTISTIC LEGACY

A grand retrospective at Jehangir Art Gallery honors Prafulla Dahanukar's pioneering art, featuring restored masterpieces, student works, and a...

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RETROSCOPE: VIOLATIONS, DEMOLITIONS, PUBLIC OUTRAGE

Humra Quraishi’s reflections on a year of upheaval for minorities, where state actions and identity politics have eroded...

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FESTIVALS: IMMORTALISING BIMAL ROY’S CINEMATIC LEGACY

Rinki Roy Bhattacharya discusses the inspiration behind the Bimal Roy Award, the challenges of preserving her father’s l...

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POWERFUL PEOPLE: FROM CRIME REPORTING TO FICTION

Aditi Mediratta’s journey from crime reporting to becoming a celebrated fiction writer, screenwriter, and novelist, speaks of her creativ...

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REMEMBERING THE UNFORGETTABLE SMITA PATIL

Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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