HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

TOLLYWOOD’S GIFTED ACTORS

Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the ov...

#SHOUT UNTIL YOU’RE HEARD

The newsdesk at The Daily Eye reports on the preview of the film #SHOUT, hosted by Population First and supported by...

SMASH THE PATRIARCHY

Priti Chandriani, Veena Bakshi and Lygia Mathew run the ‘only’ Cinema Collective, and they held a day-long event where panel discus...

JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

NINETY-ONE CHEERS FOR HOLLYWOODS DEATHLESS BEAUTY!

Monojit Lahiri salutes Hollywood’s last super-star who was a born headliner - her 91^st Birth Anniversary appr...

FAIZ, SAHIR AND VERSE

Humra Quraishi revisits two of the best known poets of this  subcontinent, Faiz Ahmed Faiz and Sahir Ludhianvi.

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