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Khalid Mohamed time-travels back to an interview with the ace actor Kamal Haasan on what he knows… and does best in sou...

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Finding Ganga

Film historian Dhruv Somani, recounts the arduous process that was involved in the casting of Mandakini in Raj Kapoor’s ...

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BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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Those Fashion Classics

Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are mad...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Reasons For My Angry Song

\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous an...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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