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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Signs of the times: Not afraid of the dark

Humra Quraishi describes one part of the apocalypse we are experiencing in India right now – only one part.

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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

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How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

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The first woman detective franchise in Bengal

Running on the streaming platform Hoichoi, the first woman detective franchise in Bengali, Damayanti could have done with much less talk and mo...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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Signs of the times: Imagine all the people…

Humra Quraishi wonders if it is the need of this time to revive the Progressive Writers Movement in India.