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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultKALEIDOSCOPE: BRIDGES BUILT THROUGH LITERARY DIALOGUE
The Khushwant Singh Literary Festival debuts in Oxford, uniting voices from India and the UK in a celebration of literature, heritage, ecology,...
Read MoreFESTIVALS: LANDSCAPE AS A VISUAL BIOGRAPHY
Julia Romano’s Memories of India reimagines landscapes as visual biographies—layered digital collages blending architectur...
Read MoreBUSINESS: ENTERTAINMENT HIJACKS SALES IN ADVILLE
A sharp look at how advertising today prioritizes entertainment over sales, sparking debate on creativity, strategy, and real business impact. ...
Read MoreGENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK
A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...
Read MoreALTERNATIVE ENTERTAINMENT: THROUGH A MASTER’S LENS
Khalid Mohamed in conversation with the celebrated lensman, Rafique Sayed, on the vital essence of photograph...
Read MoreGENDER: THE LEGACY OF QUEER FILMS IN INDIA
From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...
Read MoreBUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?
A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...
Read MoreTHOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE
In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...
Read MorePOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
Read MoreALTERNATIVE ENTERTAINMENT: REMEMBERING RITUPARNO
Gone but forever remembered is Bengal’s – and India’s – late and classy filmmaker Rituparno Ghosh. On his 12th death an...
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