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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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From Bad Man to Matinee Men

Vinta Nanda crosses over from 2020 and opens 2021 with this interesting conversation with Roshmila Bhattacharya - about her bo...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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Behind Every Successful COVID Vaccine Is A Woman

At least in the field of vaccine development, women have shown that they are capable of delivering a safer world. More power to our new sheroes...

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Alibabas galore…

Film historian Dhruv Somani flashbacks to the plethora of Bollywood movies, which were once fascinated by the adventures of Al...

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The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

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2020 In One Word: What’s Yours?

Dr Sandeep Goyal views the year 2020 as the time that has introduced us to the “new” normal.

Rajeshwari: Queen of her roles

Aparajita Krishna zooms in on Rajeshwari Sachdev of a delicate, petite frame, who has a very commanding acting presence and rules the little ki...

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Short-changed in life

Film historian, Dhruv Somani, recollects the tragic story of the charismatic star Priya Rajvansh, who if she were alive would ...

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In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda