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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultBUSINESS: THE MANUFACTURED KISS
It’s Sohaila Kapur today, in conversation with Neha Vyaso, an Intimacy Director in Bollywood. “She’s the fir...
Read MoreBOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR
Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...
Read MoreALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT
"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...
Read MoreTHOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?
Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...
Read MoreTRENDING: WELCOME TO ‘OK, TATA BYE BYE’
Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...
Read MoreFESTIVALS: THE SUN SHINES ON SUNNY DA DHABA
We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...
Read MoreTHOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?
Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...
Read MoreTRENDING: MEET THE CAST AND CREW OF FARIDA
Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...
Read MoreTRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!
Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...
Read MoreMOVIES: TALE OF AN UNBELIEVABLE FILM





The film failed to receive the expected response from the audience at the time of release. But slowly audiences and critics began to appreciate...
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