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Reimagining Ambedkar

Ambedkar appears in many different ways in the ordinary life of Dalits, writes Badri Narayan&nbs...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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The first woman detective franchise in Bengal

Running on the streaming platform Hoichoi, the first woman detective franchise in Bengali, Damayanti could have done with much less talk and mo...

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Stay safe, ignore alarming news-spreaders

An update by Dr Kishore Madhwani on the pandemic situation in India and globally

As Corona positive cases increase across the globe, our only weapo...

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Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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The South Wave

Film historian, Dhruv Somani, rewinds to the time when there was an influx of heroines from Southern cinema to Bollywood.

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When R.D. Burman met the Jazzman

Edited excerpts from the book Louis Banks: A Symphony of Love by Ashis Ghatak

As a young ...

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Prem Tame: Love’s Labour Lost

Shantanu Ray Chaudhuri writes that an inspired final act and a brilliant soundtrack cannot overcome the shortcomings of vapid ...

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