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BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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Back on the Burning Train

Film historian Dhruv Somani, takes you back on a ride to India’s first disaster movie directed by Ravi Chopra, which had...

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Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

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Presenting Gangubai: Mr. Controversy’s latest traffic-stopper?

As Sanjay Leela Bhansali’s latest offering hits the screen, Monojit Lahiri invites you to stand by for truckloads of taa...

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Making films is my coping mechanism: Shabnam Sukhdev

Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

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Unusual suspects

Film historian, Dhruv Somani, re-assesses the nail-biting murder mystery Khamosh made by Vidhu Vinod Chopra, way back in 1980s...

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