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Movies

MOVIES: HER JOURNEY OF CRAFTING CINEMA

Rosy Bora reflects on her path from assistant director to filmmaker, exploring the emotional depths of her latest film and the challenges of ba...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: STUDYING IN INDIA CHANGED MY ARTISTIC PERSPECTIVE

Tharindu Ramanayaka, an independent filmmaker from Colombo, Sri Lanka, has carved a niche for himself in the world of cinema with his unique s...

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Powerful People

POWERFUL PEOPLE: ISHAA VINOD CHOPRA’S JOURNEY SO FAR…

In this interview, I go deeper into Ishaa's experiences, her journey towards self-acceptance, and her vision for the future, as she works to b...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: SATTRIYA DANCE LEGACY

Discover the dedication and journey of Prerona Bhuyan and Madhusmita Bora in promoting the 500-year-old Assamese dance form, Sattriya. ...

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Hollywood

HOLLYWOOD: CINEMA & SPACE, WOODY ALLEN'S NEW YORK

New York and Woody Allen are synonyms one can safely say and the vast Central Park, where Woody Allen would take rounds for decades, is their c...

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Kaleidoscope

KALEIDOSCOPE: DISCOVERING MEHAK GOYAL’S POETRY

In an unexpected journey from skepticism to admiration, Shantanu Ray Chaudhuri explores Mehak Goyal’s evocative poetry. ...

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Festivals

FESTIVALS: BEST FILMS FROM SOUTH ASIA ONLINE NOW!

The 13th edition of South Asian Film Festival Montreal is online now. The online festival started on 27th May 2024 and wi...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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Bollywood

BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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