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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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VERSE OF MOSAB ABU TOHA AND HUMAN RIGHTS

Humra Quraishi wants to know why The World Human Rights Day should be observed this year, and questions the intentions of the ...

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BOLLYWOOD TIK-TALK: IS SHE KAT OR COPY KAT?

Salman Khan has the answer to whether she’s Kat or a Copy Kat! And more news from The Daily Eye #Newsdesk this week!

Katrina Kaif Ste...

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THROUGH THE RADIANCE: AN EXHIBITION OF AMOL PALEKAR’S ART

Through the Radiance it is aptly called, because as you step into the exhibition at the Jehangir Art Gallery you are captivated by Amol Palekar...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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BEING THE NEW-AGE DADDY COOL!

Monojit Lahiri traces the evolution of this creature from the one-dimensional pitashree to the hands-on Daddy cool!

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ATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS

India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk

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THE EMOTION DRIVING MODERN INDIA TODAY: MAHATMA GANDHI

On the Mahatma’s 154th birth anniversary, Humra  Quraishi brings snatches of conversations she’s h...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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