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WHO SHOULD BE MADE TO COMPENSATE?

From the institutionalisation of bias to literature about the greatest artists of the past, Humra Quraishi’s c...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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DIARIES: WHISTLING WOODS INTERNATIONAL

There’s so much going on at Whistling Woods International that it’s hard to keep track, but we’re trying our best to tell you...

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Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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The Natural

Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsm...

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Making films is my coping mechanism: Shabnam Sukhdev

Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ...

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