ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

EARTH WOMEN

On World Earth Day that just went by, The Daily Eye Newsdesk visits five women entrepreneurs shaping a sustainable future

'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN

In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...

URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...