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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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MOVIES: A GENTLE DOWNPOUR OF INDIE SUCCESS

Ritopriyo Saha’s short film Chhoti Baarish (Little Rain) is creating ripples across the global festival circuit — from Ban...

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POWERFUL PEOPLE: THE QUESTION UNANSWERED

As India celebrates the birth centenary of Dr. Bhupen Hazarika, the Bard of the Brahmaputra, Utpal Datta recalls a poignant co...

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ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

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TRENDING: TIMELESS LIGHT AND LIVING MEMORIES

At Piramal Gallery, NCPA, I revisited Bombay’s cultural past through the lens of twin photographers Debolina Mazumdar and Monobina Roy &m...

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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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ALTERNATIVE ENTERTAINMENT: AND THE LEGACY LIVES ON

Khalid Mohamed in conversation with Ramu Aravindan, founder of a Documentation Centre and a soci...

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THOUGHT FACTORY: STORIES THAT SHAPE OUR WORLD

From intimate documentaries to visionary fiction, the WIFF 2025 Jury—comprising acclaimed filmmakers, writers, and storytellers—hon...

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BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance. Lord Cur...

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TRENDING: THE VILLAIN INDIA NEVER GOT

On his 83rd birthday, Sharad Raj reflects on the cinematic journey of Amitabh Bachchan — the superstar of the last mille...

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