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The Hyperlinked World

Ranjan Das takes the Diptakirti Chaudhuri account, Written by Salim-Javed, as a case in point to explore a vast hyperlinked un...

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SUPPORTING ACTORS KA TIME AAGAYA!

Monojit Lahiri investigates the phenomenon of supporting actors in Bollywood transitioning from being sideys in the past to ta...

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Memories of Underdevelopment

Sharad Raj writes, “Many consider Tomas Alea, the greatest filmmaker to emerge from Cuba and Memories of Underdevelopmen...

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KANWALJIT SINGH: Life & Roles!

Aparajita Krishna tells you all about the tall, handsome actor Kanwaljit Singh in this unputdownable interview with him.

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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HEARTSPEAK

All you wanted to know about Dharmendra. Khalid Mohamed rekindles an interview with him, dil se.

MERE PAAS MAA - SORRY, MOM HAI!!

Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses t...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Online-Offline: What works, what doesn’t?

Lecturers and students from various institutes talk to Monarose Sheila Pereira about their preference...

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