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THOUGHT FACTORY: THE IRONY OF CANNES ‘24

This is India’s clean sweep, with no credit to India at all! Monojit Lahiri tries to explain why confusion is confounded...

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FESTIVALS: A JOURNEY FROM MIFF TO GLOBAL FILM FORUMS

From cherished memories at MIFF to engaging discussions with filmmakers across India, Utpal Datta’s journey highlights t...

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ALTERNATIVE ENTERTAINMENT: EXPLORING UNSPOKEN DEPTHS

Director Mrunal Mestri discusses the evocative power of silence and visual storytelling in 'Malti,' a black-and-white cinematic masterpiece exp...

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POWERFUL PEOPLE: UNTOLD STORY OF SRIDEVI

Discover the untold story of Sridevi through the lens of Amborish Roychoudhury, where passion for Indian cinema meets research, unveiling a leg...

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FESTIVALS: ARE DADS LESS IMPORTANT THAN MOMS?

To address why Mother’s Day is celebrated with such grandiosity and emotion compared to the more subdued Father’s Day, Mono...

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BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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POLITICS: MISSING GIRLS AND HATE SPEECHES

After we are done celebrating mothers, daughters, women, take a moment to consider these shocking details about the missing women and girls in ...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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ALTERNATIVE ENTERTAINMENT: 50 YEARS OF GARM HAWA

On Balraj Sahni’s birth anniversary, Shantanu Ray Chaudhuri looks at the lasting legacy of Garm Hawa, which celebrates i...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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