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NO WATER, NO FOOD, NO MEDICINE, NO LIGHT

The World Health Organization (WHO) reports that the raging Israel-Hamas conflict completed a month on November 7th and more than 10,000 people...

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TORN BETWEEN TWO IDEOLOGIES – RAM RAJYA AND RAVAN RAJ

An excerpt from the book Mandodari, by Koral Dasgupta, released at Kitab Khana Mumbai with a conversation between the author and Avantika Bahug...

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WHY CAN’T SUCCESSFUL TV STARS TRANSIT TO THE BIG SCREEN?

Monojit Lahiri attempts a close-up at the question and figures the answer is yet to be found because the audience views actors...

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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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DEFENDING THE IDEA OF INDIA

Keeping in mind the objective to intervene in defence of diversity, pluralism, democracy, constitutional values and Justice, Anhad organised a ...

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A FIRST DAWN BY SHARADA RAMANATHAN

Vidivaanam (a first dawn) explores a deeper reflection of very basic concern for our very existence through music, movement and verse, reflects...

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PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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