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Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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People Of Aligarh

Although the word ‘Aligarh’ shoots up images of only the University, there is more to that town, writes Humra Quraishi Read More

Size Matters?

Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles.

MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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The King & I!

Inspired by the buzz of his film Pathan, which is crazily gripping media, Monojit Lahiri goes back to 1989, New Delhi whe...

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

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SALUTING THE MEMORY OF THE EVERGREEN AWARA

Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor.