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MOVIES: RECOMMENDATIONS FOR A LAZY SUNDAY

The #newsdesk recommends films that are much talked about and rated high on the critics’ scale. It’s the weekend! Check them out ri...

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BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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POLITICS: ALL IN THE NAME OF GOD

Humra Quraishi comments about empty promises being made in political speeches, the polarisation, and the harmful propaganda taking place for vo...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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POLITICS: ALL AROUND THERE ARE REMINDERS

Humra Quraishi dwells on two disturbing reports dominating the news - about the demolition of Wakeel Hassan’s home and a...

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GENDER: VOICES UNHEARD IN THE CORRIDORS OF POWER

On the occasion of International Women's Day, as the world celebrates the achievements of women, it's imperative to reflect on the role of acco...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR

Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...

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TRENDING: HUMME TUMSE PYAAR KITNA

Monojit Lahiri checks out the real drama behind this momentous day called Valentine’s Day and checks out all the hullaba...

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