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News Media: The End..

Geeta Datta, programmer and veteran reporter, views news broadcasting from what goes on inside newsrooms and explains why the ...

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Video Gaga

Film historian Dhruv Somani excavates the exclusive made-for video movies by Nari Hira and other producers, way before the arr...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

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ART SALUTES WORKERS

Khalid Mohamed writes on the imperative need for Indian artists to express  their strong views on the state of nation und...

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Exhausted: Face Masked & Barefoot

As the lockdown restrictions are being relaxed gradually in the country, scores of migrant laborers who have lost their jobs have attempted to ...

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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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KASHISH grant to make films on LGBTQ+

Call for submissions open to KASHISH QDrishti Film Grant 2020

KASHISH Mumbai International Queer Film Festival, South Asia’s biggest and India’s most ma...

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Are you woke?

Just like the rest of you, I’ve also been sitting at home, working when possible and consuming news on television, social media and the occasional newspaper, which ge...

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The art of Rishi Kapoor

Reema Moudgil takes you on a trip through Rishi Kapoors body of work and his many reinventions as an actor who scaled Bollywoo...

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