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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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#SHOUT UNTIL YOU’RE HEARD

The newsdesk at The Daily Eye reports on the preview of the film #SHOUT, hosted by Population First and supported by...

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SMASH THE PATRIARCHY

Priti Chandriani, Veena Bakshi and Lygia Mathew run the ‘only’ Cinema Collective, and they held a day-long event where panel discus...

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PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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ANJUM RIZVI: FROM BEHIND THE SCENES!

Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...

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IS THE SLOGAN DYING?

Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future.

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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