IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

NOW GAJRA KOTTARY SPEAKS TO VIEWERS, READERS & LISTENERS

The versatile author and screenwriter Gajra Kottary spoke to Shantanu Ray Chaudhuri on the demands of an audi...

CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER

Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not?

Read More

THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

“ME & HOUSE WORK? ARE YOU NUTS ???”

Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera B...

Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

DOES DAZZLING BEAUTY HIJACK TALENT?

Monojit Lahiri investigates the conundrum surrounding beauty and brains, in real and in real life, that has been going on...