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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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SMOOCH: Bollywoods Shaky Affair With The Kiss?

Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the cooch...

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Bengal in Bengaluru: The Kolaj Bengal Film Festival

The first edition of the Kolaj Bengali Film Festival was a welcome effort in getting Bengali films a national reach. Shantanu Ray Chaud...

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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

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Online-Offline: What works, what doesn’t?

Lecturers and students from various institutes talk to Monarose Sheila Pereira about their preference...

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OSCARS & INDIA – S – L – A – P!!

Not Will Smith and Chris Rock, but Oscars and our film industry, over years! Can the thappads ever turn to chum...

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Valentine’s Day: Ishqbaazi or Dramabaazi

Monojit Lahiri investigates what this day of ‘love, Valentine’s Day, means to people at large. He asks, “Dif...

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Bringing up Bobby

Khalid Mohamed reboots his conversation with the ever-gorgeous Dimple Kapadia on her life and career-defining debut in Raj Kap...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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