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THE HRISHIDA I REMEMBER…

Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101st birth anniversary. Hrishida was born o...

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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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BETTER ROSES FOR A WARMING WORLD AND OTHER GARDEN ADVENTURES

Manipur is burning and its despair all around. But here’s an extract from the book ‘Roses in the Fire of Spring’, which will ...

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THURSDAYS OF FIRE, FRIDAYS OF STEEL

Humra Quraishi views the human rights violations that are piling up and asks how the leaders in the future will heal people fr...

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THE AFTERMATH WILL OUTLIVE US

Humra Quraishi gives us the details of how many of the members of parliament in the present have cases against them of dacoity...

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DEFENDING THE IDEA OF INDIA

Keeping in mind the objective to intervene in defence of diversity, pluralism, democracy, constitutional values and Justice, Anhad organised a ...

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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WHO DESERVES RECOGNITION & REWARDS?

Are SRK and Virat with their luxurious 10-star lifestyle, more worthy than the real champions of change, dedicated to show the light to the neg...

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A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

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