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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...

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ATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS

India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk

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THE EMOTION DRIVING MODERN INDIA TODAY: MAHATMA GANDHI

On the Mahatma’s 154th birth anniversary, Humra  Quraishi brings snatches of conversations she’s h...

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FROM RAKESH BEDI, WITH LOVE!

Vinta Nanda takes a tour around the life of writer, playwright, dramatist and actor Rakesh Bedi along with him in this intervi...

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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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