AGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD

While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...

FOCUSED AGENDA: CRONYISM AND HINDUTVA

Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...

CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28^th Ma...

TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

ANJUM RIZVI: FROM BEHIND THE SCENES!

Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...

YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...