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The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Hamari Amita: Critic who called the shots

Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...

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Down with Dowry!

Film historian Dhruv Somani looks back at a clutch of Bollywood films, which gutsily dealt with the evils of the dowry system....

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More

A Woman of Letters

“I am reading Amartya Sen’s book nowadays”, says a sprightly young voice at the other end of my telephone line: Janak...

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A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

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Oh Rajasthan!

A photo-essay by Vatsal  Shah of the former royal state of Rajasthan, where tourists and photographers flocked during the...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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