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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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A COUNTRY CALLED CHILDHOOD: A MEMOIR

BOOK REVIEW: Actor Deepti Naval’s journey into her childhood is one from the heart, funny and moving in the same breath. Shantanu...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

NO ONE KILLED PALAN

On the birth anniversary of legendary director Mrinal Sen, Shantanu Ray Chaudhuri Read More

NO LIMITS

Khalid Mohamed time-travels back to an interview with the ace actor Kamal Haasan on what he knows… and does best in sou...

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YESTERDAY ONCE MORE

Khalid Mohamed rewinds to his conversations with his all-time favourite, Sridevi, whose fourth death anniversary is today...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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Hey Guys, give brand LOVE a chance!

Catalyst, hidden persuader or gentle, deceptive brand statement, LOVE, Monojit Lahiri insists, is much more than a 4-letter wo...

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Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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