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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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LOVE AND SURVIVAL IN THE WAR ZONE

Humra Quraishi observes the events over the last week and asks this question: Where’s the so-called development when ent...

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UPES RELEASES A SOULFUL MUSIC VIDEO TO CELEBRATE INDIA

UPES and Silvercord Films unveil exclusive music video 'India Leads the World’ to celebrate the new India on World Music Day, reports the...

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BREAKING NEWS, BROKEN PEOPLE

In the wake of the communal calls of the Right-Wing groups of Uttarakhand, telling the Muslim community to leave Purola or face dire consequenc...

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FOCUSED AGENDA: CRONYISM AND HINDUTVA

Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...

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WHO KILLED MOHAMMAD IQBAL?

Humra  Quraishi laments the blatant targeting of everything termed un-Hindu by the present government and the systematic ...

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