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TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS

Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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AGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD

While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...

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THE CURIOUS CASE OF BOLLYWOOD AND POLITICS

One’s been listening to viewers of The Kerala Story. The common refrain is, “Ye picture dekh kar Musalmano se darr lag raha hai! (A...

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KASHISH MUMBAI INTERNATIONAL QUEER FILM FESTIVAL OPEN TO REGISTRATION

Registrations Open for 14th KASHISH Mumbai International Queer Film Festival, reports The Daily Eye Newsdesk

FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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DOES WATCHING ART-HOUSE CINEMA MAKE YOU…SUPERIOR??

Monojit Lahiri investigates on a topic, which a good, grounded and witty friend, one fine day, brought up in a discussion.

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OMG! DIDNT KNOW IPL IS SUCH A SOUTAN!!

Monojit Lahiri recounts the nightmare of an IPL victim here.

Akash really pursued me - no...

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JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...

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ANJUM RIZVI: FROM BEHIND THE SCENES!

Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...

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