Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

Reincarnation: Bollywood’s affair with rebirth

Film historian Dhruv Somani gives you a lowdown on the ...

Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

Admitted

Ojaswwee Sharma’s award Winning Feature Film – a Docu-drama about Transgender Education Rights was released yesterday, 13th June 20...

An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

Kashish 2020 goes Virtual

First major film festival in India to go online completely with a full-festival lineup of new LGBTQIA+ films from across the world

Considering that the city, the na...

Lost treasure of the legendary R.D. Burman

Khalid Mohamed calls for the retrieval of the missing songs of R.D.Burman, which Asha Bhosle confirms must be “languishi...