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GENDER: DAWN AT DUSK – THE NEW CINEMATIC PHENOMENON

Monojit Lahiri focuses on an unusual phenomenon gracing the Bengali screen in recent times – a celebration of older wome...

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THOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE

A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...

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POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

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ALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE

Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...

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THOUGHT FACTORY: WHAT MY MOTHER TAUGHT ME

On Mother's Day, I, Vinta Nanda, reflect on how my mother’s clarity in a chaotic world, exposed the dangers of ...

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BOLLYWOOD: IN DÉFENSE OF THE MERCHANTS OF BOLLYWOOD

Glossy or gritty, art or commerce, celebrated or scorned — India’s cinematic juggernaut continues to provoke, inspire, and divide. ...

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TRENDING: EKJUTE’S ANNUAL ACTING WORKSHOP

Discover your true potential with Ekjute Theatre Group’s Annual Acting Workshop—where legends teach, stars are born, and passion me...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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ALTERNATIVE ENTERTAINMENT: TWO RIVERS, ONE JOURNEY

Celestina and Lawrence explores post-demonetization India through the intertwined lives of two tribal migrants, looking at urban alienation, id...

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